The deck's stacked against this audio adaptation of the novel that inspired one of the most acclaimed feature films of all time. The powerful visual imagery at the end of Francis Ford Coppola's film adaptation of Puzo's novel-the alternating between a baptism and coordinated hits on rival mob bosses-is so indelible that any other depiction must suffer in comparison. Hearing any narrator read that a character "put three bullets" in another's chest just can't hold a candle to seeing it, at least as Coppola filmed the scene. Ditto for the shocker when a certain animal head turns up in a certain character's bed. However, that's not to say that narrator Joe Mantegna's reading is at fault. Turning in compelling and nuanced performance, Mantegna's gravelly-voiced Don Corleone is close enough to Marlon Brando's not to jar, and the narrator (who appeared in The Godfather: Part III) also pulls off female voices effectively. More notably, despite his decades of voicing a parodistic mobster on The Simpsons, Mantegna's use of different accents and modes of speech insures that his characterizations never come across as stereotypical. A Signet paperback. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved.

Diehard Godfather fans play second banana to no other subculture in their obsession with the minutiae of Puzo's novel and Coppola's films. These dedicated fans will be most disappointed by the new audio version, although perhaps only an hour of material is missing, but casual aficionados will barely notice the abridgment. Missing are the subplot involving Sonny's mistress, Lucy Mancini, and Dr. William Kennedy and the descriptions of the regional Mafia chieftains that precede the commission meeting at which Don Corleone flushes out Don Barzini as his number one rival. Actor Joe Mantegna does a fine job throughout, largely resisting the temptation to put on voices for too many of the characters. However, this cannot be said for his Don Corleone. Perhaps it is vengeance: after all, Andy Garcia, as the late Don's nephew, Vincent Mancini, put the hit on Mantegna's Joey Zasa in Godfather III, but whatever the reason, Mantegna gives Corleone a raspy falsetto-imagine the Pillsbury Doughboy with a tracheotomy-that ranks as one of the worst Brando impressions ever. Also, Puzo's chilling ending in which Kay converts to Catholicism with the hope of saving her husband's soul is inexplicably transformed into a chamber-of-commerce-style bromide about the family's new life in Nevada. Still, the popularity of Puzo's novel 27 years after its publication makes this abridgment a must-have.-Adam Mazmanian, "Library Journal" (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.